Archive for the ‘carnaval’ Category

Unintended byproducts of the global city

Sunday, August 30th, 2009

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From the moment you land at Heathrow, it’s impossible not to think about London in the context of the global city.  The tarmac is littered with airplanes bearing the liveries of airlines worldwide.  The brilliant cacophony of foreign tongues converges at immigration — from visitors and workers alike.  When it comes to heading for central London, the level of infrastructure is staggering: subway, local train, or express train.  Some American cities are lucky to have a bus.

The citadels of finance buttress the insane real estate pressure — every square inch of vacant land hotly coveted by developers — and a trenchant radical backlash.  But Sassen’s analysis in The Global City is so powerful because it isn’t awed by the structures of transnational trade; rather, it coolly describes them, while incorporating the counterpoint: extreme disparities of wealth.  It takes a vast underclass to serve and service the transient servants of global capitalism.

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Thus is London the multicultural hub that makes it such a fascinating place to visit today.  Quoth w&w, “what an amazing, creolized city.”  I got my taste today at Brixton market.  From Blacker Dread music store (and “reggae consultant” ! or so says the business card) to free-range jerk chicken to Bhangra Burgers to Black Hebrew street preachers to Halal butchers blasting dancehall to the ingredients for callaloo and Irish potato casserole (I made a fine creolized dinner if I say so myself).  It’s no wonder Paul Gilroy theorized the Black Atlantic here.

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My experience had a heavy Caribbean tilt, though it could just as easily be Desi/Bengali over in Brick Lane, or African, or Irish, or Chinese.  But I’m on a West Indian vibe, since I flew all the way across the pond for essentially a long weekend to celebrate the second biggest street party in the world after the Carnaval in Rio with my gracious host and new London resident, Casi G of Flamin Hotz Records.

That party is Notting Hill Carnival, natch.  50 years strong and still reflecting “the heart of black London.”  While “multicultural London” may be a selling point for the tourist bureau, the city definitely did not arrive at this mixed heritage so smoothly.  It was a race riot that gave birth to the Carnival in the first place.  Last year there were several stabbings, and I was warned even at airport immigration to be careful.

But that unruliness is a little exciting — this isn’t an event totally given over to commercial sponsorship and family-friendliness (though the first day is supposed to be more for the littles, as they say).  It’s antithetical, perhaps, to the corporate structures that, through vast demographic and migratory forces, have made this event possible.

Likewise the pirate radio that has been on constant rotation since I got here, my trusty transistor proving that radio really is the most democratic medium.  While heavyweight Rinse FM was blasting the UK funky to get us pumped for Saturday night, much of the daytime hours have me glued to Urban Love Radio: “Bashment, dancehall, and soul with a touch of funky and soca.”  Some rulll lover’s rock on right now for the brunch hour.

Don’t want to get too lulled by the soundtrack, though, there are sound systems a-waiting!  FWD >>> bacchanal.  Catch you post-Carnival, mate.

Late to the Party

Monday, March 16th, 2009

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I just couldn’t get into Carnival spirit what with the chilly weather (there’s a reason BKN and LDN do it in August — and Philly in June), although I’m already plotting a weather-be-damned pan-Carnival party for next year.  I admit Masala did a damn fine job, what with “mois de soca” (soca month) and “soca pour les nuls” (soca for dummies) to get the juices flowing.  But a quick jaunt last week to St. Martin, however, has finally given me some belated bacchanal fever.  The split French-Dutch island is lucky enough to get two carnivals out of their divided status.  The French side’s already came and went in February, but the Dutch side is preparing for a massive 40th anniversary “jump-up“, to run from just after Easter until Queen Beatrix’s birthday in early May.

They’ll be getting a boost by the carnival crews of Guadeloupe and Martinique, which have finally resolved an eight week general strike over the rising cost of living.  Protests and clashes between organizers and police have tragically led to deaths on both islands.  And the timing couldn’t have been worse, as the strikes washed out this year’s celebrations.  Fortunately, the staggered carnival calendar means that Dutch Sint Maarten is happy to welcome them over.

While in SXM, I stopped in a French side record store and grabbed a couple 2008 carnival CDs.  Here’s a taste of what Gwadeloupe (great blog if you’re a franco- & creolophone) had to postpone from “200% Carnival — 100% Tubes,” a 2000 release.

I can’t import the photos directly, but go ici to check out some shots of the Sénat All Stars from last year’s parade.  This next one, by the irreverently named 12 Salopards (12 Bastards) will raise a few eyebrows for borrowing the melodies of “Doo Wha Diddy,” “She’ll Be Coming ‘Round the Mountain” (?!), and a likkle Sleng Teng all in one track.  Like what you hear?  There’s more on the carib carnival blogosphere.

Heading up the Greater Antilles to Haïti, I also copped the 2008 CD by Kanaval Rasin, which I am guessing is a regular carnival crew (or at least some google.fr and google.ht [!] hits have suggested that).  They’ve already got 2009 on sale, but it’s still worth a petit morceau from last year.  This one is named for the vudoun priest who supposedly inspired the slave uprising that launched the Haitian Revolution.

There are plenty of recaps of this year’s festivities available online, plus le footage chez YouTube.  I was pretty fond of this historical reenactment, where the French whiteman gets his due, in true Haitian Rev style.

News at a Northern Latitude

Thursday, February 19th, 2009

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Neal Becton of Som Records delivered the news to my inbox:

Every year, the choosing of the majesties of the Carnival is an important first step for the preparation of the most popular “Festa” in Rio de Janeiro, Brazil. This year, the bank clerk Milton Rodrigues Da Silva Júnior, 29 years old, was chosen in the dawn of this past Saturday King Momo (Rei Momo) of Carnival 2009 in a great party held in the City of the Samba (Cidade do Samba), the temple of the Rio de Janeiro’s Carnival. The queen of the Carnival will be Jéssica Maia de Freitas, the first princess Shayene Cesário Vieira and the second princess is Charlene Valnice da Costa. About 2,000 people were present at the election, most of them were supporters coming from the city districts of the candidates. Queen and King Momo earned 12,000 reais each. The first princess was awarded 9,000 reais, and the second princess 8,000 reais. They competed among 10 candidates for Momo and 12 for the queen. At the event, a samba concert was held by the famous Brazilian singer Alcione Nazaré and the popular Carnival band of “Bola Preta”, the Lace of the Black Ball. King Momos (Rei Momo in Portuguese or Rey Momo in Spanish) is considered the king of Carnivals in numerous Latin American festivities, mainly in Brazil and Colombia. His appearance signifies the beginning of the Carnival festivities. Each carnival has its own King Momo, who is often given the key to the city. Traditionally, a tall, fat man is chosen to fulfill the role because the original King Momo was of that physical stature.

Under Neal’s alterego, DJ Neville C. (aka the DC Carnival King), he will be starting the carnival off tonight at Cafe Saint-Ex, where I graced the stage last summer (back when the weather was a little more Carnavalesco). Sponsored by Som Records and Peroni Beer the madness starts at 9:30PM. No cover. Wear your dancing shoes! 1847 14th Street NW. 21 and over.

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South South Bronx [ed. Northwest South]*

Tuesday, March 4th, 2008


Buried in a thesis avalanche and will come up for air sometime after the magic date of March 14. Made it home from Carnaval in one piece, sem passaporte (another story), and Beija-Flor took the win.

Closer to home, some curious real estate wheelings&dealings — over an affordable housing rec room. Mitchell-Lama, the unsung hero of hip-hop? The comments, if anything, are as interesting as the story. New York bias, Chicago inferiority complex, Bronx vs. Jamaica, it’s all the Republicans fault . . . a classic NYC soapbox.

Not something you see everyday on a prominent NYT page.

P.S. See where the 1520 Sedgwick “rec room” led — support artists in Rio and deepen your funk crates with some vinyl that can only be described as sinístro, mano: Funkeiros e Progresso EP

Massive CD with knowledge jewels galore dropping soon, more info when it arrives.

*Thanks to commenter Richard S. for correcting my geography.


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Só Alegria

Sunday, February 3rd, 2008


The parade is raging on the TV in the background and I’m preparing to head down to the Temple of Samba, the Sambódromo, ticket in hand.

“‘What I would advise you to do,’ Ana said, ‘is forget about the note-taking. Stop trying to write down what happens. If you don’t give in to the spirit of carnival, if you don’t let it overwhelm you, you’ll never understand what it’s like, so how will you be able to explain it to others? If you have the experience, you won’t forget a minute of it. Every detail will stay clear in your head forever.’”
–Alma Guillermoprieto, Samba

I had lunch with a friend in the suburb of Duque de Caxias on Tuesday, partisans to the escola of Grande Rio (Greater Rio). Our waiter at the food court (yes, shopping mall food courts have waiters for some reason) was wearing a Grande Rio shirt — maybe he’ll be out performing on the parade grounds tonight — and every time he came over to our table he beamed a huge smile and announced, “Só alegria! (Only joy!)”

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Monday, January 28th, 2008


Fresh on the heels of my Israel-Brazil urban musings, I have to come clean: I’m back in Rio one last time before plunging into full thesis writing mode, and have the great fortune of being here for Carnaval 2008. I’m staying in Rocinha again, where it’s been impossible to avoid advertisements for this year’s samba enredo (story samba, the performance in the official parade at the Sambódromo) by G.R.E.S. Acadêmicos da Rocinha. This year they’ve chosen to honor the community’s nordestino (northeastern) heritage — internal migration has pushed many northeasterners out of the region, Brazil’s poorest, and into the big cities.

G.R.E.S. Acadêmicos da Rocinha - Rocinha é minha vida, Nordeste é minha historia

It begins with a forró flourish and then dives into the elaborate ways that Rocinha and the Northeast are tied together. It’s a pretty good samba even though I don’t like forró that much and I’ll be interested to see how it fares on Saturday night at the Series A & B parade, when Rocinha will strut its stuff on the big stage.

I may not make it to the Sambódromo that night — angling for Super Bowl (Super Samba?) Sunday, to see the Grupo Especial heavyweights like Mangueira — but I did go this past Saturday, just a few days after arriving, to the final dress rehearsal at their quadra, where the samba school practices, at the base of Rocinha.

The pounding drums of the bateria

Portas-bandeira (flag-bearers)

Costumed dancers

This year’s queen of the bateria

Her scantily-clad highness segues appropriately into the passistas, the best dancers in the school, who when female, also wear very little (freer hips swing faster?)

The headline act for the evening, meanwhile, was popular sambista Dudu Nobre, one of the official commentators on the parade for the Globo network, as I saw advertised on TV the next day.


Earlier in the day at the Saturday Rocinha fair I picked up a CD (pirated, of course) on which he covers famous sambas enredo from across the last century.

Dudu Nobre - 100 Anos de Liberdade: Realidade ou Ilusão?

This was Mangueira’s 1988 samba, commemorating — and questioning — the 100th anniversary of the abolition of slavery. A good samba at its best can be a very bold and public statement of politics or social values, although criticism has mounted against escolas de samba in general over the last couple decades, especially since the opening of the Sambódromo in the mid-80s (financed by the Rio government’s tourism arm). Every year the tickets get more expensive (i.e. tourists and not locals attending the parades), the routines are more rigidly choreographed, there are more and more professional dancers and musicians, and in short, the spontaneous spirit of samba and the physical presence of the communities that these schools supposedly represent seems to be eroding.

I had a chip on my shoulder about samba when I first came to Rio, captivated as I was by this elusive thing called funk. I’ve been to enough bailes now that as of last summer I wanted to discover more of the samba world, but didn’t find much going on in July and August, as it was just before the rehearsals began. Now, in full Carnaval season, samba is everywhere. That’s no reason not to still think critically, but it’s plenty of reason to enjoy as the big weekend approaches.

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Friday, February 23rd, 2007


The festivities are over, but the Carioca Funk Clube podcast rings in with the good word — and sound — from Sany DJ mixing a little axé into the funk up in Salvador, Bahia, with Fat Boy Slim on the bill, no less.

Looks like somebody’s camera was busy from the grandstands of the sambódromo.


There’s always next year, he says, as the mercury plummets.