Archive for the ‘global city’ Category

Unintended byproducts of the global city

Sunday, August 30th, 2009

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From the moment you land at Heathrow, it’s impossible not to think about London in the context of the global city.  The tarmac is littered with airplanes bearing the liveries of airlines worldwide.  The brilliant cacophony of foreign tongues converges at immigration — from visitors and workers alike.  When it comes to heading for central London, the level of infrastructure is staggering: subway, local train, or express train.  Some American cities are lucky to have a bus.

The citadels of finance buttress the insane real estate pressure — every square inch of vacant land hotly coveted by developers — and a trenchant radical backlash.  But Sassen’s analysis in The Global City is so powerful because it isn’t awed by the structures of transnational trade; rather, it coolly describes them, while incorporating the counterpoint: extreme disparities of wealth.  It takes a vast underclass to serve and service the transient servants of global capitalism.

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Thus is London the multicultural hub that makes it such a fascinating place to visit today.  Quoth w&w, “what an amazing, creolized city.”  I got my taste today at Brixton market.  From Blacker Dread music store (and “reggae consultant” ! or so says the business card) to free-range jerk chicken to Bhangra Burgers to Black Hebrew street preachers to Halal butchers blasting dancehall to the ingredients for callaloo and Irish potato casserole (I made a fine creolized dinner if I say so myself).  It’s no wonder Paul Gilroy theorized the Black Atlantic here.

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My experience had a heavy Caribbean tilt, though it could just as easily be Desi/Bengali over in Brick Lane, or African, or Irish, or Chinese.  But I’m on a West Indian vibe, since I flew all the way across the pond for essentially a long weekend to celebrate the second biggest street party in the world after the Carnaval in Rio with my gracious host and new London resident, Casi G of Flamin Hotz Records.

That party is Notting Hill Carnival, natch.  50 years strong and still reflecting “the heart of black London.”  While “multicultural London” may be a selling point for the tourist bureau, the city definitely did not arrive at this mixed heritage so smoothly.  It was a race riot that gave birth to the Carnival in the first place.  Last year there were several stabbings, and I was warned even at airport immigration to be careful.

But that unruliness is a little exciting — this isn’t an event totally given over to commercial sponsorship and family-friendliness (though the first day is supposed to be more for the littles, as they say).  It’s antithetical, perhaps, to the corporate structures that, through vast demographic and migratory forces, have made this event possible.

Likewise the pirate radio that has been on constant rotation since I got here, my trusty transistor proving that radio really is the most democratic medium.  While heavyweight Rinse FM was blasting the UK funky to get us pumped for Saturday night, much of the daytime hours have me glued to Urban Love Radio: “Bashment, dancehall, and soul with a touch of funky and soca.”  Some rulll lover’s rock on right now for the brunch hour.

Don’t want to get too lulled by the soundtrack, though, there are sound systems a-waiting!  FWD >>> bacchanal.  Catch you post-Carnival, mate.

Mediterranean Modernism

Sunday, January 27th, 2008


The other side of the Israeli urban equation from Jerusalem is its seaside counterpart: Tel Aviv, the image of Israeli modernity, cosmopolitanism, secularism, and according to some, political apathy. It is all of these, and more. The city was founded in 1909 on the beach just outside of Yaffo, an ancient port city, by secular Zionists looking for an ordered, gridded urbanism outside of Yaffo’s dense chaos. Tel Aviv grew to swallow Yaffo (the city’s official name is Tel Aviv-Yaffo), then sprouted skyscrapers, financial centers, Bauhaus and Art Deco architecture, museums, cafés, record stores, and now, nearly a century later, shows evidence of global city formation.


Airplanes — that great symbol of modernity (Brasilia isn’t shaped like one for nothing) — fly over its Mediterranean shores heading for Ben-Gurion Airport, hub of El Al, the flagship Israeli carrier.


On Friday night while the Shabbat masses gather at the Western Wall, Tel Aviv’s clubs are just heating up, while on the right block you’ll find Hebrew stencil graffiti.

“Zionism = Real Estate”
Who said Tel Aviveans weren’t political?


And the all-important rave flyer. Tel Aviv: hub of the Israeli psy-trance scene, one node on that vast global psy-trance network . . . global city indeed.

I didn’t make it to one of the famed mesibot desert parties, and truthfully there was only a little trance at the club I did make it to, a friend’s cousin’s birthday party or some such affair. But it was bumping out of car windows and in the stalls at the market at the end of Shenkin Street.

Shulman - New Paradigm

Consider this the chill out room track, then. From Shulman’s Soundscapes and Modern Tales.
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I had too little time in Tel Aviv; it’s hard to resist a Mediterranean city. But in the brief chance I did have, I found quite striking the duality between it and Jerusalem. One which I linked to the dichotomy between São Paulo and Rio de Janeiro. In what, as friends rightly pointed out, was probably the first time Jerusalem has ever been compared to Rio, I likened the axis Tel Aviv/São Paulo - Jerusalem/Rio. The basic distinction is between cosmopolitanism and particularism. The universal ease with which Tel Aviveans or Paulistas see themselves on a map with Milan, New York, London, Barcelona, Miami vs. the local customs, traditions, mores, dress that are hard to slip into. I love Rio, but I will probably always feel like an outsider, not the least because of skin tone. Likewise in Jerusalem, if you are not in liturgical rhythms, you will feel out of place. Both, too, engender more tourism, another distinction that separates you from the city. But people circulate into, out of, and within São Paulo and Tel Aviv on such a rapid basis that it’s easy to slide in, hop on the metrô or go to the beach (and yes, Rio and Tel Aviv share a beach, but Rio’s has its own rigid code where it’s easy to feel like an outsider), and find that you don’t stand out.

That kind of cosmopolitanism is seductive (and expensive — I always spend more money in São Paulo and than I do in Rio; likewise a stroll down Shenkin cost me more before I knew it than any promenade in Jerusalem), but ultimately I try to resist it. There’s a challenge in not being able to fit in, and an enjoyment that comes from enduring that regardless — picking up the language, the music, whatever it takes to at least have an exchange, even if it would be 10x easier to become a carioca than a paulista, a Tel Avivean than a Jerusalemite.

At the same time, the cosmopolitanism of global cities brings with the interstices of culture — gaps that allow for the constant innovation, creative use of space, and readaptation in cities like London, New York, and Berlin. Or Tel Aviv, as in DJ C’s loft party. When I go back to Israel, I think I’ll be spending more time by the sea.