Posts Tagged ‘Flamin Hotz’

Funk Yourself

Thursday, July 9th, 2009

When I was in Rio last month, Sany Pitbull was extremely excited about a hush-hush high level collaboration with Red Bull and the Rede Globo (Brazil’s media empire).  Well, it’s happening — “Funk-Se” or funk yourself, is ongoing this week in the Cidade Maravilhosa (check the site even if you don’t know Portuguese — chock full of streaming music, videos, photos, etc.).  Sany describes it as a watershed moment for funk, especially on the heels of the law in Rio’s state legislature declaring funk a legitimate form of cultural expression.

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As he wrote in his announcement e-mail:

Um sonho que eu tive junto com a minha grandiosa e saudosa amiga Adriana Pittigliani está se tornando realidade, o sonho de ver o movimento funk ser realmente respeitado como merece…. Não está sendo fácil transformar esse sonho em realidade( e ninguém falou que ía ser facil,mesmo), mas com a ajuda de uns aliados estamos conseguindo chegar lá.

O motivo desse email é um só, te mostrar parte do que estamos fazendo, é só o inicio, temos muito mais à fazer… Muito trabalho ainda vem por ai.. Chega desse papo de musica de favela, musica de pobre… o Funk é muito mais do que isso… Muito maior do que parece ser…
Basta apenas se organizar pra ser tornar o maior ritmo musical desse país..e seremos sim, quem não acredita vai ver…

Está para acontecer um evento histórico, embrionário ainda, pequeno talvez em  relação à magnitude do ritmo, mas ja é um inicio e olha que não estamos começando fracos não, só aliados de responsa compraram a briga ( do bem e pelo bem ).

40 anos de funk
40 anos de historia
40 anos mexendo com a cabeça,alma e quadris de tanta gente mundo à fora
40 anos se transformando e se preparando pra ser a musica dos próximos 40 anos(no mínimo).

Redbull Funk-se , do vinil à Mpc …

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A dream that I had together with my dearly departed friend Adriana Pittigliani is becoming a reality, the dream of seeing the funk scene get the respect it deserves… it hasn’t been easy to turn this dream into a reality (and nobody ever said it would be), but with the help of many allies we are finally succeeding.

The motive of this e-mail is simple, to show you what we have been up to, it’s only the beginning, we have much more to do… Much more work to come.. The arrival of this conversation about favela music, about the music of the poor… Funk is much more than this… Much bigger than it seems to be…

A historic event is about to take place, still in its infancy, perhaps tiny in comparison to the magnitude of the funk beat, but it’s already a beginning and look at how we don’t start off weak, only our most trusted allies will join us in the fight (of and for what’s good).

40 anos of funk
40 anos of history
40 anos of moving the head, soul, and booty of so many people
40 anos of transforming itself and preparing itself to be the music of the next 40 years (at the minimum).

Redbull Funk-se, from vinyl to MPC …

Sany Pitbull: funk prophet?  Could be.  The schedule is packed, with a daily panel discussion, film showing, Sany Pitbull MPC workshop for kids at a technology magnet school (!), and nightly party.  Notably it indeed stretches back 40 years, bringing in the likes of Gerson King Combo, one of the originators of Brazilian soul and overall “black music” as they call it.  The press coverage is unsurprisingly favorable, and speaks to the media’s willingness to give positive coverage toward mainstream, legal, organized funk, with corporate backing no less.  (Poking around the “related articles” reveals one from last year about a baile crackdown sparked by a grenade explosion that injured 12 at an August 2008 favela baile).

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One of the events I am most disappointed to be missing is the MPC battle!  Cabide DJ x Phabyo DJ x DJ Pokemon x DJ Mancha.  I’m a little intrigued at some of the rules though –

Serão passíveis de eliminação os seguintes casos:

Agressão física contra um dos participantes; ofender o apresentador ou o Dj.
O DJ que falar de facção criminosa (apologia).
Não fazer referência a time de futebol
Não executar músicas com temas e vozes infantis.

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The following will lead to automatic disqualificaton:

Physical aggression against one of the participants; offending the host or another DJ.
DJ mentioning a criminal faction (apology for crime).
Do not refer to any soccer team.
Do not play music about children or with children’s voices.

There is clearly an effort to manage the kind of funk on display at such a high-profile event: no proibidao, nothing that could involve minors (there goes all the tunes about “gatinhas”), and I guess no riling up the crowd with a cheap paean to Flamengo.

battle

My money’s on Cabide, natch, as he’s No. 1 sampler do Brasil e do mundo now.  Besides, that’s his MPC they’re fighting over in that pic.  Either way, there’s a 50-50 shot a Flamin Hotz artist will be the “king of the MPC.”

Meanwhile, the Cine Funk Clube will be screening Favela on Blast tomorrow night to round off a week that’s included “Sou Feia Mas To Na Moda” (I’m Ugly But Trendy), one of the earliest post-2000 funk docs and some other more obscure (or I guess more Brazilian) ones that I’ve never heard of.

I’ve got saudade, sure.  As Sany said, “You’re leaving June 11?  No no, make it July 11!  Stay for Funk-Se!”  But duty calls back here in the Estados Unidos.  Still, some likeminded folks & I have put together a mini Funk-Se at the Chicken Loft.  We’ll have old Brazilian wax, an MPC, Cabide’s DVD internacional, Favela on Blast, caipirinha, cerveja, boldinho, and comida galore.  Tonight, Cambridge is the next best place to Rio. (more…)

KGV (Kuduro Avec Grande Vitesse)

Sunday, April 5th, 2009

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I have had an abstract notion for some time that kuduro had really taken off in France.  Of course, I knew that Frédéric Galliano (a Gallic name if there ever was one) has been the nu whirld’s man-in-Luanda for some time now.  He is working with Flamin Hotz on a kuduro comp and alerted us to some recent releases in France.  In turn, I was astounded by the degree of major label success.  If you want to make the contrast with its cross-Atlantic contemporary, kuduro is light years past being a trend-ish platitude, “the next baile funk.”  In France, it’s a veritable KGV that has zoomed to popularity.

The CD/DVD Kuduro Connection came out just a week ago on Sony France (check the DVD on Amazon.fr), with every ounce of marketing muscle such backing entails.  The official website is a nu media site to behold — chiefly, it boasts an online game (!) of keyboard-DDR where you pick one of three danceiros (busty Bonita, one-legged MC Costuleta, or feisty street kid Joao) and bust moves to the “Dança do Tchiriri” (also spelled Tiriri and Xiriri).

Virtual recreations are very revealing in how they choose to reconstruct their source material.  Online marketing firm Virtuadz, who created the “advergame,” present an unsurprisingly generic simplification of kuduro.  Both the “beach” and “street” setting do not suggest Angola or Luanda in any tangible way.  The beach is an interchangeable idylic beach scene — more vacation getaway than urbanized beach — while the street is a conventionally straight, uncrowded, and populated by boxy architecture.  There is a truck of some kind that enters the frame at bottom right, missing an opportunity to insert one of the communal vans that circulate the capital and have incubated the kuduro culture by blasting it out of their stereos in Luanda traffic jams.

Now take a look at the Xiriri music video for some comparison.  Bonita is a typical over-sexed cartoon who barely moves but to emphasize her moneymakers.  She dances lethargically compared to her real-life counterparts and is noticeably whiter than the Angolanas strutting their stuff on camera — as are the women on the cover of the album.  There is an obvious effort to whiten the image of kuduro as it is marketed to a European crowd that is very much multicultural, but for whom white Western beauty standards prevail in advertising.

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It’s almost surprising that the cover images aren’t oversexualized black figures, like we’re so used to seeing from the days of Favela Booty Beats.  But maybe part of mainstreaming is also bleaching out the African overtones, making kuduro into generic tropical music, like in the palm trees & bikini of Kuduru System.  However, I must at least give credit to Kuduro Party where the Angolan motif is stronger — the red lettering, embedded hammer & sickle, and concrete towers suggesting a Luanda cityscape — and the cover female a bit darker toned.

João, meanwhile, is the loveable street kid, with an unflapping smile that reeks of nothing short of virtual minstrelsy as his feet fly.  While Bonita moves slower than the music vid dancers so you can focus on her curves, Joao is on warp speed.  It is exaggerated dancing so that you don’t think about the archetype — poor, hungry — that he represents. (Doesn’t the asphalt get hot, João?  Too bad your creators didn’t provide you any shoes.)  Costileta is the MC, and indeed missing a leg, so at least he has some grounding in reality.

There are serious euros behind Kuduro Connection and they’ve at least succeeded in getting Xiriri, apparently a big club hit in France last year, endlessly stuck in my head, like any good ad should.  Maybe Pancadão do Morro would be sold out by now if we had hired Virtuadz to make a “baile funk virtual” — choose between Sany, Cabide, and Sandrinho DJ and bang the MPC on beat to keep the crowd dancing while the cops and bandidos shoot it out?  Bonus points for proibidão, but make sure you big up the right faction!

Of course I’m old-fashioned — booklets and liner notes and a quaint notion called “context.”  Whether Kuduro Connection will sell well, whether it will lead to a glossed understanding or spur some serious Google research — that all remains to be seen.    But it’s undeniable that something is lost in translation from hard, hot Luanda streets to keyboard-jockey dancing.

Mass marketing is far from a bottoms up (”hard ass” puns notwithstanding — and note the baffling mutual exclusivity in that article, “Forget baile funk” right off the beat) distribution model.  But I don’t want to give the impression that kuduro in France is all in the hands of the music industry — there’s plenty of music industry too.  In their one year reflecton on kuduro, le Masala mentioned that it was kicking in France at the hands (& feet!) of Cape Verdeans.  As the following video declares, here’s another take on kuduro arrives in France.  But this time the only fancy tricks come from creative use of joints, not pixels.


Le Kuduro débarque en France
Uploaded by Bondy_Blog

The video refreshingly keeps the commentary light and the dancing on full blast.  The amateur danceologist in me saw the first group routine and wondered if it was the banlieue immigrant answer to techtonik (without the fascist overtones).  But in the end, it reminds me a lot more of juke, although I think the kuduro dancing runs a little more fluid than juking, which gets caught up on the relentless drum beats.  The footwurk is there, though, and lest we forget juke has gone through its own commercial decontextualizing:

Hopefully a cell phone named “kuduro” is a long ways from appearing in French stores, but Kuduro Connection could very well be the beginning.

Flamin Hotz Record Club

Sunday, February 15th, 2009

fhz

Calling all DJs/music lovers/vinyl collectors –

Flamin Hotz Records, the Philly based label that puts out the most beautiful, lushly packaged 12″s you have ever seen, is starting a record club.  The deal is simple, pay upfront or in monthly installments and get a record delivered to your door every month.  The reasoning likewise: It’s getting harder and harder to sell records in shops, but label head Casi is convinced that the demand is still there for high quality, collector’s item style records.  As someone who has worked with FHZ in the past and hopes to continue to do so in the future, I wholeheartedly agree.

So if you’ve liked any FHZ releases over the last couple years — from Bass Bandits (Trouble and Bass) to Pancadão do Morro CD and Funkeiros e Progresso EP (funk carioca massives) to Força Kuduro! (the name says it all) to emynd & BoBliz’s two EPs (Philly stand up) — please consider joining the record club.  It may very well be the only way to get FHZ records in the future, and it’s an investment that pays a dividend your turntables will thank you for every month.