Posts Tagged ‘wayne&wax’

Unintended byproducts of the global city

Sunday, August 30th, 2009

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From the moment you land at Heathrow, it’s impossible not to think about London in the context of the global city.  The tarmac is littered with airplanes bearing the liveries of airlines worldwide.  The brilliant cacophony of foreign tongues converges at immigration — from visitors and workers alike.  When it comes to heading for central London, the level of infrastructure is staggering: subway, local train, or express train.  Some American cities are lucky to have a bus.

The citadels of finance buttress the insane real estate pressure — every square inch of vacant land hotly coveted by developers — and a trenchant radical backlash.  But Sassen’s analysis in The Global City is so powerful because it isn’t awed by the structures of transnational trade; rather, it coolly describes them, while incorporating the counterpoint: extreme disparities of wealth.  It takes a vast underclass to serve and service the transient servants of global capitalism.

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Thus is London the multicultural hub that makes it such a fascinating place to visit today.  Quoth w&w, “what an amazing, creolized city.”  I got my taste today at Brixton market.  From Blacker Dread music store (and “reggae consultant” ! or so says the business card) to free-range jerk chicken to Bhangra Burgers to Black Hebrew street preachers to Halal butchers blasting dancehall to the ingredients for callaloo and Irish potato casserole (I made a fine creolized dinner if I say so myself).  It’s no wonder Paul Gilroy theorized the Black Atlantic here.

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My experience had a heavy Caribbean tilt, though it could just as easily be Desi/Bengali over in Brick Lane, or African, or Irish, or Chinese.  But I’m on a West Indian vibe, since I flew all the way across the pond for essentially a long weekend to celebrate the second biggest street party in the world after the Carnaval in Rio with my gracious host and new London resident, Casi G of Flamin Hotz Records.

That party is Notting Hill Carnival, natch.  50 years strong and still reflecting “the heart of black London.”  While “multicultural London” may be a selling point for the tourist bureau, the city definitely did not arrive at this mixed heritage so smoothly.  It was a race riot that gave birth to the Carnival in the first place.  Last year there were several stabbings, and I was warned even at airport immigration to be careful.

But that unruliness is a little exciting — this isn’t an event totally given over to commercial sponsorship and family-friendliness (though the first day is supposed to be more for the littles, as they say).  It’s antithetical, perhaps, to the corporate structures that, through vast demographic and migratory forces, have made this event possible.

Likewise the pirate radio that has been on constant rotation since I got here, my trusty transistor proving that radio really is the most democratic medium.  While heavyweight Rinse FM was blasting the UK funky to get us pumped for Saturday night, much of the daytime hours have me glued to Urban Love Radio: “Bashment, dancehall, and soul with a touch of funky and soca.”  Some rulll lover’s rock on right now for the brunch hour.

Don’t want to get too lulled by the soundtrack, though, there are sound systems a-waiting!  FWD >>> bacchanal.  Catch you post-Carnival, mate.

Kuduro Continué

Monday, August 24th, 2009

I was pleased to see that Guillaume took my bait in the last post about kuduro gone-a-global.  He answered some key questions, enough worth putting the comment upfront:

So Kuduro has definitly crossed over in France as “dance of the summer” and it’s been a process in the making for the last 2 years. Check this entry for a link to a facebook video that shows white hair old people square dancing on Dança do Tchiriri: http://masalacism.blogspot.com/2009/07/i-kept-saying-that-kuduro-crossed-over.html

All right, now Kuduro’s fashion in France is actually not coming from Angolan, but Cap Verdien people. They are leading the scene in France and are providing most of the hype on the movement. After that, there’s a weird (same old) ideology of distinction of “we are the true ones, we are the originators, you guys just do shit” kind of vibe floating around from Angolan towards Cap Verdien. Galiano would not say that publicly but I know he kinda took this ideology as his own. I can’t go in details here, but they are the one pushing the sound now and the last few years.

Also Radioclit has absolutly NOTHING to do with this. Seriously, zero. Same with Buraka. This is grassroot success based on the fact that the Cap Verdien community in Paris and it’s suburbs is a big enough to make other communities follow. It’s also because it’s a dance as much as it’s a music and therefore it’s very fashionable in the club for 17 years old. Nothing to do with blogging or international hipsterism.

Finally, Coupé mix with Kuduro is already there. Check out: Normal Nada - Decale kuduro or also Dj Vielo’s Decale Cap Vert. This is just the beginning. All of this is based on the fact that white people dance clubs and carribean/african clubs are still very seperated in France. Or at least, there’s a strong network of carribean/african clubs throughout France. And like every where else, there playing the latest trend, which happens to be Kuduro now in France. And for the last few years, I’ve seen the name popping on the regular on the big fluo posters of the local african club in my medium/small size hometown of Orleans. Which never happened before.

Looking fwd to the rest of this discussion

Most importantly he confirms that kuduro is broadly popular, propelled by support among France’s vast multicultural immigrant scene (Cape Verdean especially).  I had suspected as much from the plethora of YouTube videos, but sometimes that on-the-ground observation cinches it.  I think this kind of grassroots feel — people actually dancing to it, clubs playing it, the beat thumping out of car stereos — is more exciting and more interesting than if it were exclusive to le blogosphère.  Especially when it affords interaction with other styles, like coupé décalé — see again Guillaume’s suggested artists.

But where he links back to his post, and the video of old white folks clumsily dancing the tchiriri, is where things get très interesting.  That’s beyond the marginalized masses in the banlieue — that’s percolating to the museum of dance music, wedding hits.  It in turn reminds me of wayne&wax’s thoughts on chacarron (aka mumbling reggaeton) (old blogspot w&w at that).  He compared it to the macarena, and in later posts thought it would be the ideal reggaeton entrée to the masses: something families can sing along to between innings at baseball games, etc.

Could tchiriri be headed for similar meme status?  If YouTube is any kind of bellweather, I still don’t see any dancing babies or WoW tchiriri.  That, at least, remains one arena in which funk has a viral spread kuduro lacks.

Beat Research

Monday, July 20th, 2009

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I’ve been Boston-based for the last several weeks as I discover my career and a stint in the Bean would not be complete without dropping some wax (digital or analog, it’s all good) at Beat Research.

This go around the bio reads –

DJ Gregzinho is just off another trip to Brazil, where he crisscrossed the favelas of Rio to meet up with DJs and MCs on the Flamin Hotz Records fair trade funk carioca releases Funkeiros e Progresso EP and Pancadão do Morro: O Funk do Flamin Hotz, Já É? They pushed plenty of fresh funk CD-Rs into his hands, and he also scoured São Paulo, Recife, and Salvador for some crate digging samba rock/rap, maracutu, guitarrada, Brazilian hip-hop, and MPB. Expect a wide range of Brazilian beats, as well as the usual pan-American sabores from Hudson Bay to the Tierra del Fuego. Gregzinho blogs about cities, beats, urban space, and landscapes at Beat Diaspora.

Been on a real Caribbean vibe in particular as of late.  Soca Monday, perhaps.

Beat Research at The Enormous Room
DJ Gregzinho, DJ Flack, wayne&wax
Monday, July 20, 9 pm-1 am
No cover, 21+
567 Mass Ave, Central Square, Cambridge, MA